Aida Markiw imagines another world far away in the Universe through her depiction of abstracted particles in motion. Kristin Reed layers radiating geometric patterns in her painting to explore inter-dimensionality, a place in the grid of consciousness where our world resonates with another simultaneous place that overlaps-normally hidden from our view. Through Karen Fitzgerald’s ambient application of paint onto a circular surface, she makes visible the universal interconnected energies within our material and spirit worlds. Matter and spirit are deeply intertwined, evoking a sense of something more than what our eyes can see a restless shifting of light and energy indicating something beyond our physical world, something metaphysical. Pearl Rosen Golden’s painting depicts a worrisome sky that questions interpretation of our real and unreal quality of life. Barbara Slitkin’s painted garden features mysterious figures that dwell in a realm outside of ours. Gale Rothstein’s assemblage of natural and industrial elements reflects another planet, walking through millennia of evolutions and transformations, everywhere and nowhere at once. With Sandra Taggart’s painted sea and starry skyscape she creates an invented place as a meditation on the environment. Reflecting on universal elements of reality as well as abstract and intangible concepts, these artists depict ideas of identity, time, and space through their works, seeking to understand fundamental truths about their relationships to the world.Īrtworks have the ability to travel to the cosmos and other landscapes, traversing life forms, creating dimensions reminiscent of, yet outside of what we know. In this exhibition 25 artists meditate on the meaning of “place”, exploring the physical, philosophical and spiritual interpretations. Overall, the revelations made in the piece will no doubt be a little disappointing, but with american dream on the way next week, we'll soon see whether the great return of LCD Soundsystem was worth it.Elsewhere is defined as “ in, at, or to some other place or other places”. That's a new, exciting problem and far more interesting to me. I was like, no, because now if we're going to play again, we really have to justify it. And especially with these statements in mind, fans wouldn't be wrong to feel as though the band's past has been cheapened somewhat.Įlsewhere in the interview Murphy discussed his initial uncertainty about making a return, before stating that he saw the opportunity as a challenge.
I find it easy.Īs the NYT points out, the show actually sold out in seconds, and in hindsight of seems like though Murphy had his doubts, LCD Soundsystem finished in a rush and was always kind of destined to come back. My theory was, if I make it our last show, we'll sell it out in two weeks It wasn't a total lark, but it was a bit larky But I like making decisions. So, Murphy decided that in order to sell it out, the band would announce it as their last show: However, he also notes that the Madison Square Garden show which was their 'last' in 2011 had actually been booked for a while, and there were concerns that it wouldn't sell well.
I felt like we were about to be the band that was not relevant to me." This is kind of fair enough, and seems like a decent artistic reason to want to cut a project short. I liked being the band that was relevant to me.
As LCD Soundsystem got bigger and bigger, Murphy says that he worried that the band's output would get worse as their profile grew, stating "I didn't want to be that band.
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